Formas do corpo no museu: o projeto DANÇA NO MAC, Tino Sehgal e Anne Imhof
Por que a dança está no museu, hoje? A palestra apresentará o movimento estético da dança e da coreografia no museu da última década (2010-2020). O projeto DANÇA NO MAC trabalha com apropriações - de elementos da coreografia, do movimento e da história da dança moderna minimalista - e as atualiza no presente; Tino Sehgal lida com a coreografia e a dança em instituições das artes visuais, trabalhando com uma situação encenada, cuja visualidade e plasticidade consiste em uma situação performativa; Anne Imhof retoma o conceito da “obra de arte total” ou Gesamtkunstwerk.
*English below
Why is dance in the museum today?
This lecture will present the aesthetic movement of dance and choreography in the museum over the past decade (2010–2020). The project DANCE AT MAC works with appropriations — of elements from choreography, movement, and the history of minimalist modern dance — and brings them into the present. Tino Sehgal engages with choreography and dance within visual art institutions, working through staged situations in which visuality and plasticity emerge from performative contexts. Anne Imhof revisits the concept of the “total work of art,” or Gesamtkunstwerk.
This lecture will present the aesthetic movement of dance and choreography in the museum over the past decade (2010–2020). The project DANCE AT MAC works with appropriations — of elements from choreography, movement, and the history of minimalist modern dance — and brings them into the present. Tino Sehgal engages with choreography and dance within visual art institutions, working through staged situations in which visuality and plasticity emerge from performative contexts. Anne Imhof revisits the concept of the “total work of art,” or Gesamtkunstwerk.
